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Anne of Green Gables　のぺーじ - CHAPTER II with impression
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CHAPTER I UP CHAPTER II つづき CHAPTER II Matthew Cuthbert is surprised 第2章マシュー・カスバートの驚き（松本訳） Matthew Cuthbert and the sorrel mare jogged comfortably over the eight miles to Bright River. 「eight miles」 13 km弱。1マイル＝1760ヤード＝1.609 km It was a pretty road, running along between snug farmsteads, with now and again a bit of balsamy fir wood to drive through or a hollow 「balsamy fir wood」バルサム臭のするモミの木。Abies balsamea バルサムモミ。ウィキペディア日本語版には、モミの分布のコメントがあるのですが、プリンスエドワード島に生えている fir（モミの木の仲間）は、balsam fir バルサムモミ（カナダバルサム）のようです。ウィキペディア英語版によると、バルサムモミの分布はバッチリです *1 where wild plums hung out their filmy bloom. 「wild plums」野生のスモモ Prunus。ウィキペディア英語版によると、plumは1種ではなく、Prunus属の中のPrunus亜属の種を指すらしい。花の写真はウィキペディアをどうぞ。種が違っても花の様子はあまり違わないはず。なお、新世界plumと旧世界plumとがあるそうなので、日本のスモモとプリンスエドワード島の野生スモモは種が違う可能性大以下余談：同じPrunus属のモモ（peach）はAmygdalus亜属Go to Wikipedia、サクラ（cherry）はCerasus亜属、Go to Wikipedia、bird cherry（black cherryの仲間）はPadus亜属Go to Wikipedia、なのだそうです。へぇ～。ウィキペディアへのリンクをつけときました The air was sweet with the breath of many apple orchards and the meadows sloped away in the distance to horizon mists of pearl and purple; while "The little birds sang as if it were The one day of summer in all the year." 「"The little birds sang as if it were／The one day of summer in all the year."」松本訳注第2章(1) p. 453参照 Matthew enjoyed the drive after his own fashion, except during the moments when he met women and had to nod to them-- for in Prince Edward island you are supposed to nod to all 「Prince Edward island」松本訳注第2章(2) p. 454参照 and sundry you meet on the road whether you know them or not. Matthew dreaded all women except Marilla and Mrs. Rachel; he had an uncomfortable feeling that the mysterious creatures were secretly laughing at him. 「creatures」生き物。creaturesと表現することで、いやーな感じが強調されている He may have been quite right in thinking so, for he was an odd-looking personage, with an ungainly figure and long iron-gray hair that touched his stooping shoulders, and a full, soft brown beard which he had worn ever since he was twenty. In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. When he reached Bright River there was no sign of any train; he thought he was too early, so he tied his horse in the yard of the small Bright River hotel and went over to the station house. The long platform was almost deserted; the only living creature in sight being a girl who was sitting on a pile of shingles at the extreme end. 「the only living creature in sight being a girl」唯一の生き物で、見えたのは女の子だった、とマシューの認識。いやーな感じありあり…… 「a pile of shingles」shingleは、「丸石、ごろ石」という意味と「屋根板」の意味と両方ある。石の場合は、少し大きめなものを言うらしい。駅にはジャリが必要なので、石のほうがいいのかもと思ったりしますが、大きめの丸石ではヘンだし、かといって、屋根板というのも唐突。当時の様子がわかれば簡単なのですが松本訳 p. 22では、「ホームの端につんだ屋根板」 Matthew, barely noting that it WAS a girl, sidled past her as quickly as possible without looking at her. 「sidle」横向きに歩く、こそこそ歩く。これはマシューに対して女の子たちがやるのと一緒（後にでてくる） Had he looked he could hardly have failed to notice the tense rigidity and expectation of her attitude and expression. 「attitude and expression」似たような言葉の繰り返し。強調するときの通常の方法だと思いますが、『Anne』ではよくでてきます She was sitting there waiting for something or somebody and, 「something or somebody」似たような言葉の繰り返し。ここでも since sitting and waiting was the only thing to do just then, 「sitting and waiting」似たような言葉の繰り返し。ここでも she sat and waited with all her might and main. 「sat and waited」似たような言葉の繰り返し。ここは上の「sitting and waiting」を受けて強調しまくり「with might and main」成句：全力を尽して。Chapter XXXI with impressionもどうぞ Matthew encountered the stationmaster locking up the ticket office preparatory to going home for supper, and asked him if the five-thirty train would soon be along. "The five-thirty train has been in and gone half an hour ago," answered that brisk official. "But there was a passenger dropped off for you--a little girl. She s sitting out there on the shingles. I asked her to go into the ladies waiting room, but she informed me gravely that she preferred to stay outside. `There was more scope for imagination, she said. 「scope for imagination」ついに出た！想像の余地。しかし、初出はアン本人の言葉ではなく、駅長さんの伝聞「scope for imagination」松本訳注第2章(3) p. 455参照 She s a case, I should say." 「case」ここでは、変人という意味がいちばんよさそう "I m not expecting a girl," said Matthew blankly. "It s a boy I ve come for. He should be here. Mrs. Alexander Spencer was to bring him over from Nova Scotia for me." The stationmaster whistled. "Guess there s some mistake," he said. "Mrs. Spencer came off the train with that girl and gave her into my charge. Said you and your sister were adopting her from an orphan asylum 「Said」She said の略 and that you would be along for her presently. That s all I know about it--and I haven t got any more orphans concealed hereabouts." "I don t understand," said Matthew helplessly, wishing that Marilla was at hand to cope with the situation. "Well, you d better question the girl," said the station- master carelessly. "I dare say she ll be able to explain-- she s got a tongue of her own, that s certain. Maybe they were out of boys of the brand you wanted." 「brand」品種、種類。ここではブランド品の意味ではない He walked jauntily away, being hungry, 「jauntily」あくまで陽気な駅長さん。unfortunateなマシューと対比させるためでしょう and the unfortunate Matthew was left to do that which was harder for him than bearding a lion in its den-- 「bearding a lion in its den」松本訳注第2章(4) p. 455参照 walk up to a girl--a strange girl--an orphan girl--and demand of her why she wasn t a boy. 「girl」の繰り返し。３回！とまどいというか、いやな様子を強調 Matthew groaned in spirit as he turned about and shuffled gently down the platform towards her. She had been watching him ever since he had passed her and she had her eyes on him now. Matthew was not looking at her and would not have seen what she was really like if he had been, but an ordinary observer would have seen this ここで、きちんとアンの様子が記述される。なんだかお芝居の脚本のような、むしろ、映画のような映像的な表現のような記述。この場面では、全身からアンの表情がわかるくらいまでざっとアップで撮られているけれども、見ている人にはその人物の「意思」のようなものまで読み取る間は与えないくらいの時間で、カメラが引いて（またはパンして）しまうように A child of about eleven, garbed in a very short, very tight, very ugly dress of yellowish-gray wincey. 「garbe」（他動）職業や地位などがわかる服装をさせる。和訳が難しい動詞ですね She wore a faded brown sailor hat and beneath the hat, extending down her back, were two braids of very thick, decidedly red hair. Her face was small, white and thin, also much freckled; 「much freckled」そばかすだらけ her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. So far, the ordinary observer; an extraordinary observer might have seen that the chin was very pointed and pronounced; 「very pointed and pronounced」ここでも似たような言葉の繰り返し。あごが「とがって、はっきりした輪郭」／同じ単語で「言葉や意見が鋭い、決然たる」という意味もある。似たような言葉を繰り返すだけではなく、意味を二重に使っている。なので、「no commonplace soul inhabited」と最後に結論づけることになる。源氏物語を読むときに気をつけなければならないのと同じような言葉の遊びがある、とするのは考えすぎでしょうか that the big eyes were full of spirit and vivacity; 「spirit and vivacity」ここでも似たような言葉の繰り返し that the mouth was sweet-lipped and expressive; 「sweet-lipped and expressive」ここでも that the forehead was broad and full; 「broad and full」ここでも in short, 「in short」ここまでしつこく書いてきたのにまだ書くことはなかろう、とちょっと突っ込みたくなってしまったり…… our discerning extraordinary observer might have concluded that no commonplace soul inhabited the body of this stray woman- child of whom shy Matthew Cuthbert was so ludicrously afraid. 「stray woman-child」stray は、迷っている、はぐれた。ここでは、あまり深い意味がなく、孤児の女の子を言い替えているだけのような気はしますが、何か連想するものがあるのかもしれません Matthew, however, was spared the ordeal of speaking first, for as soon as she concluded that he was coming to her she stood up, grasping with one thin brown hand the handle of a shabby, old-fashioned carpet-bag; the other she held out to him. バッグを左手、握手は右手、でしょう、ふつうなら "I suppose you are Mr. Matthew Cuthbert of Green Gables?" 「I suppose you are...?」ちょっと丁寧に尋ねている。少なくとも Are you ...? と尋ねてしまったら、尋問になってしまう。マシューが尋ねるなら、子供に対してだからいいけど she said in a peculiarly clear, sweet voice. 「in a peculiarly clear, sweet voice」読者がアンのおしゃべりに引き込まれる仕組みがここにも。独特な澄んだかわいらしい声 "I m very glad to see you. I was beginning to be afraid you weren t coming for me and I was imagining all the things that might have happened to prevent you. I had made up my mind that if you didn t come for me to-night I d go down the track to that big wild cherry-tree at the bend, 「at the bend」曲ったところで、とするのでいいと思うのですが、around the bend で、気がおかしくなって、という意味がある。この a case である女の子のおしゃべりの中で使われると、気がおかしい、の意味が連想されるのではないでしょうか and climb up into it to stay all night. I wouldn t be a bit afraid, and it would be lovely to sleep in a wild cherry-tree all white with bloom in the moonshine, don t you think? You could imagine you were dwelling in marble halls, couldn t you? 「You could imagine you were dwelling in marble halls, couldn t you?」松本訳注第2章(5) p. 455参照 And I was quite sure you would come for me in the morning, if you didn t to-night." 「to-night」これはtonightではないでしょうか。スキャン（グーテンベルグプロジェクトでの）の具合でハイフンが入っただけではないかと思います。PUffin Books版では、tonight Matthew had taken the scrawny little hand awkwardly in his; then and there he decided what to do. He could not tell this child with the glowing eyes that there had been a mistake; he would take her home and let Marilla do that. She couldn t be left at Bright River anyhow, no matter what mistake had been made, so all questions and explanations might as well be deferred until he was safely back at Green Gables. "I m sorry I was late," he said shyly. "Come along. The horse is over in the yard. Give me your bag." "Oh, I can carry it," the child responded cheerfully. "It isn t heavy. I ve got all my worldly goods in it, 「all my worldly goods」松本訳注第2章(6) p. 456参照 but it isn t heavy. And if it isn t carried in just a certain way the handle pulls out--so I d better keep it because I know the exact knack of it. It s an extremely old carpet-bag. Oh, I m very glad you ve come, even if it would have been nice to sleep in a wild cherry-tree. We ve got to drive a long piece, haven t we? Mrs. Spencer said it was eight miles. 「it was eight miles」時制の一致をしているのですが、今、英作文をするなら、it is eight miles と現在形にするのが望ましいと指導されようというところ。eight milesはスペンサー夫人が話したときでも、アンが話しているときでも変わらない真実として扱っていいので。でも、この『アン』が書かれた100年前は時制の一致は、事実関係よりも話したことに忠実に時制をずらす（it isと言ったことを、saidと過去形で表現するため）のが適切だったのかもしれません I m glad because I love driving. Oh, it seems so wonderful that I m going to live with you and belong to you. 「live with you and belong to you」ここでも繰り返し。これはアンの言葉なので切実さになるし、かわいらしい。また、houseとhomeを区別している表現と考えることもできるのでしょう I ve never belonged to anybody--not really. But the asylum was the worst. I ve only been in it four months, but that was enough. I don t suppose you ever were an orphan in an asylum, so you can t possibly understand what it is like. It s worse than anything you could imagine. Mrs. Spencer said it was wicked of me to talk like that, but I didn t mean to be wicked. It s so easy to be wicked without knowing it, isn t it? They were good, you know--the asylum people. But there is so little scope for the imagination in an asylum-- 「scope for the imagination」やっとアンの口から出た、想像の余地。でも、imagination に the がついていて、駅長さんの言ったのとちょっと違います。in an asylum と特定されているからかもしれません。次に出てくるときは、the なしですし only just in the other orphans. It was pretty interesting to imagine things about them--to imagine that perhaps the girl who sat next to you was really the daughter of a belted earl, 「a belted earl」beltedは、礼帯を着けた、筋のいい。earlは伯爵（イギリスの。イギリス以外の伯爵はcount）。a belted earl は、礼帯を着けた伯爵。それとも、やんごとなき伯爵（？）と訳したほうがいいかしら who had been stolen away from her parents in her infancy by a cruel nurse who died before she could confess. 「nurse」この文脈では、乳母「confess」告白する。アンにとっては、重要な言葉（行為？） I used to lie awake at nights and imagine things like that, because I didn t have time in the day. I guess that s why I m so thin--I AM dreadful thin, ain t I? There isn t a pick on my bones. 「pick」一時期の収穫量。辞書に？？？ I do love to imagine I m nice and plump, with dimples in my elbows." 「with dimples in my elbows」ひじにえくぼができる。ふっくらとしているのがよいとの考え。今とかなり違う。CHAPTER XIII? The Delights of Anticipation では、毎朝ひじにえくぼができていないかと見ている。アラン夫人の頬のえくぼにあこがれているし（CHAPTER XXI? A New Departure in Flavorings）、ダイアナには（顔に）えくぼがあるのにアンにはないと嘆く場面がCHAPTER XXXIII The Hotel Concert にある。と、ふっくらにあこがれ続けるアンなのです With this Matthew s companion stopped talking, 「With this」こう言ってから「Matthew s companion」もちろんアンのこと。英語らしく言い替えが頻繁 partly because she was out of breath and partly because they had reached the buggy. Not another word did she say until they had left the village and were driving down a steep little hill, the road part of which had been cut so deeply into the soft soil, that the banks, fringed with blooming wild cherry-trees and slim white birches, were several feet above their heads. The child put out her hand and broke off a branch of wild plum that brushed against the side of the buggy. 「The child」もちろんアンのこと "Isn t that beautiful? What did that tree, leaning out from the bank, all white and lacy, make you think of?" she asked. "Well now, I dunno," said Matthew. 「Well now」マシューの口癖。翻訳する人は、花岡訳が「そうさな」だったので、違いを出しても出さなくても大変。「そうさな」（松本訳）、「さァてね／そうだね」（中村訳）、「そうさのう」（神山訳）、「そうさな」（茅野訳）、「その、なんだ」（掛川訳）「Well now」はマシューの口癖ではありますが、『アン』の中では48回しか出てきません（十分多い？）「I dunno」これはもちろん I don t know の t の音が出ていないしゃべり方の音のとおりに表わしたもの "Why, a bride, of course--a bride all in white with a lovely misty veil. I ve never seen one, but I can imagine what she would look like. I don t ever expect to be a bride myself. I m so homely nobody will ever want to marry me-- 「homely」家庭的な、質素な、不器量な。アンが自分が美人じゃないと言っている。homelyが器量よしではないという表現なのは裏返すと、美人は家事ができないという（暗黙の）前提があるのかもしれません（洋の東西を問わない、のかもしれませんが） unless it might be a foreign missionary. I suppose a foreign missionary mightn t be very particular. 「particular」好みにやかましい But I do hope that some day I shall have a white dress. That is my highest ideal of earthly bliss. 「my highest ideal of earthly bliss」big words! earthly 地上の／この世の。bliss 無上の幸福、至福 I just love pretty clothes. And I ve never had a pretty dress in my life that I can remember--but of course it s all the more to look forward to, isn t it? And then I can imagine that I m dressed gorgeously. This morning when I left the asylum I felt so ashamed because I had to wear this horrid old wincey dress. All the orphans had to wear them, you know. A merchant in Hopeton last winter donated three hundred yards of wincey to the asylum. 「three hundred yards」300ヤード。1ヤード＝3フィート＝91.4 cm なので、274 m 「yards」掛川訳では「ヤール」。業界用語ではヤールのほうがいいのかもしれません。岩波国語辞典第二版（ちょっと古いですが）には、「織物の長さの単位。ヤードと同じ。▽yardをオランダ語風に読んだなまり。」とあります。 Some people said it was because he couldn t sell it, but I d rather believe that it was out of the kindness of his heart, wouldn t you? When we got on the train I felt as if everybody must be looking at me and pitying me. But I just went to work and imagined that 「went to work and imagined that」that以下のことを想像することに取りかかった。and を to に置きかえるとわかりやすいような気がしますが、そんな使いかたがあるのかどうかは不明。to が二重になるのはよくないように思いますし I had on the most beautiful pale blue silk dress--because when you ARE imagining you might as well imagine something worth while--and a big hat all flowers and nodding plumes, 「a big hat all flowers and nodding plumes」花と揺れる大きな羽飾りのついた帽子。[[CHAPTER XI CHAPTER XI with impression]]Anne s Impressions of Sunday-School で実現しようとする。ここに伏線あり and a gold watch, and kid gloves and boots. I felt cheered up right away and I enjoyed my trip to the Island with all my might. 「the Island」もちろんプリンスエドワード島「with all my might」これはbig wordsではない？ I wasn t a bit sick coming over in the boat. Neither was Mrs. Spencer although she generally is. She said she hadn t time to get sick, watching to see that I didn t fall overboard. She said she never saw the beat of me for prowling about. 「beat」まさる人物 But if it kept her from being seasick it s a mercy I did prowl, isn t it? And I wanted to see everything that was to be seen on that boat, because I didn t know whether I d ever have another opportunity. Oh, there are a lot more cherry-trees all in bloom! This Island is the bloomiest place. I just love it already, 「it」もちろんプリンスエドワード島。hereと言ってしまいそうですが、itですよね and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, プリンスエドワード島が世界一と、モードの思いをアンに語らせている。この思いが、プリンスエドワード島のその後の歴史に大きく影響したに違いありません but I never really expected I would. It s delightful when your imaginations come true, isn t it? But those red roads are so funny. When we got into the train at Charlottetown 「Charlottetown」松本訳注第2章(7) p. 456参照 and the red roads began to flash past 「red roads」松本訳注第2章(8) p. 456参照 I asked Mrs. Spencer what made them red and she said she didn t know and for pity s sake not to ask her any more questions. She said I must have asked her a thousand already. I suppose I had, too, but how you going to find out about things if you don t ask questions? And what DOES make the roads red?" "Well now, I dunno," said Matthew. "Well, that is one of the things to find out sometime. Isn t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive-- it s such an interesting world. アンのこの前向きな性格が、この物語をすばらしいものにしている It wouldn t be half so interesting if we know all about everything, would it? There d be no scope for imagination then, would there? 「scope for imagination」想像の余地は結構安売りしているような気がする But am I talking too much? People are always telling me I do. Would you rather I didn t talk? If you say so I ll stop. I can STOP when I make up my mind to it, although it s difficult." Matthew, much to his own surprise, was enjoying himself. Like most quiet folks he liked talkative people when they were willing to do the talking themselves and did not expect him to keep up his end of it. But he had never expected to enjoy the society of a little girl. 「society」一緒にいること Women were bad enough in all conscience, but little girls were worse. He detested the way they had of sidling past him timidly, 「sidling past him」自分がされるのはいやなのに、マシューはアンに対しても同じことをした（上のほうで、sidled past her） with sidewise glances, as if they expected him to gobble them up at a mouthful if they ventured to say a word. That was the Avonlea type of well-bred little girl. But this freckled witch was very different, 「this freckled witch」このそばかすの魔女。CHAPTER III? Marilla Cuthbert is Surprised では、マシューはマリラに「Matthew Cuthbert, I believe that child has bewitched you!」と魔法をかけられたに違いないと言われる。CHAPTER VII? Anne Says Her Prayers にも「this freckled witch」とアンが表現されるけれども、キリスト教をよく知らないという文脈でのwitchなので、異教徒のニュアンスがある。しかし、ここでは、そういう意味はないはず。アンがwitchと言われるのはこの2ヶ所だけ and although he found it rather difficult for his slower intelligence to keep up with her brisk mental processes he thought that he "kind of liked her chatter." 「kind of」（副）［話］幾分、やや、ちょっと。ダブルクォーテーションで囲んで、「魔法」をかけられたのを示すのはわかるのですが、そこに kind of との見慣れない副詞句があるとわかりづらさ倍増。英語の口語を体験として知らないとこうなるのね…… So he said as shyly as usual "Oh, you can talk as much as you like. I don t mind." "Oh, I m so glad. I know you and I are going to get along together fine. It s such a relief to talk when one wants to and not be told that children should be seen and not heard. 「children should be seen and not heard」松本訳注第2章(9) p. 456参照 I ve had that said to me a million times if I have once. And people laugh at me because I use big words. But if you have big ideas you have to use big words to express them, haven t you?" 「big words」大げさな言葉。big wordsを連発するのはアンのおしゃべりの特徴ですが、big words そのものの話題は、意外にも、ここのほかは、CHAPTER XXVI with impression The Story Club Is Formed と CHAPTER XXXI with impression Where the Brook and River Meet だけ "Well now, that seems reasonable," said Matthew. "Mrs. Spencer said that my tongue must be hung in the middle. But it isn t--it s firmly fastened at one end. Mrs. Spencer said your place was named Green Gables. I asked her all about it. And she said there were trees all around it. I was gladder than ever. I just love trees. これは、前章CHAPTER I with impression Mrs. Rachel Lynde is Surprised でレイチェル夫人が「Trees aren t much company」と言っているのに呼応しているように思います。では、グリーンゲイブルズに住むようになってから、アンがどのように木が好きなのかが具体的に表わされるのは、CHAPTER XI with impression? Anne s Impressions of Sunday-School で、アンは独り言を言っているか木や花に話し掛けると、ジェリー・ブートが話をしていた、というところでしょうか And there weren t any at all about the asylum, only a few poor weeny-teeny things out in front with little whitewashed cagey things about them. 「weeny-teeny」繰り返して音が心地いいコトバ。どちらも（口）でちっちゃい、の意味。teeny は、tinyから、かも They just looked like orphans themselves, those trees did. It used to make me want to cry to look at them. I used to say to them, `Oh, you POOR little things! If you were out in a great big woods with other trees all around you and little mosses and Junebells growing over your roots 「Junebells」松本訳注第2章(10) p. 457参照 and a brook not far away and birds singing in you branches, you could grow, couldn t you? But you can t where you are. I know just exactly how you feel, little trees. I felt sorry to leave them behind this morning. You do get so attached to things like that, don t you? 「attached」好きだ Is there a brook anywhere near Green Gables? I forgot to ask Mrs. Spencer that." "Well now, yes, there s one right below the house." "Fancy. 「Fancy.」Puffin Books では、Fancy! とエクスクラメーショーンマーク付き。この喜びの言葉は珍しくはないのでしょうか…… It s always been one of my dreams to live near a brook. I never expected I would, though. Dreams don t often come true, do they? Wouldn t it be nice if they did? But just now I feel pretty nearly perfectly happy. I can t feel exactly perfectly happy because--well, what color would you call this?" She twitched one of her long glossy braids over her thin shoulder and held it up before Matthew s eyes. Matthew was not used to deciding on the tints of ladies tresses, but in this case there couldn t be much doubt. "It s red, ain t it?" he said. 「ain t it」ここは、isn t it ではないでしょうか。「正しい」文法なら。と書いてみたのですが念のため辞書を見ると、ain t は am not だけでなく、are ［is, have, has］ not でもあるようです。話しことばは難しい The girl let the braid drop back with a sigh that seemed to come from her very toes and to exhale forth all the sorrows of the ages. 「the ages」積年の、という感じでしょうか "Yes, it s red," she said resignedly. "Now you see why I can t be perfectly happy. Nobody could who has red hair. 「Nobody could who has red hair.」松本訳注第2章(11) p. 457参照 I don t mind the other things so much--the freckles and the green eyes and my skinniness. I can imagine them away. I can imagine that I have a beautiful rose-leaf complexion and lovely starry violet eyes. 「violet eyes」アンは自分の作ったお話の中で Geraldine Seymour がpurple の眼を持つことにするが、ダイアナにそんな人は見たことがないと付っ込まれる（CHAPTER XXVI with impression The Story Club Is Formed） But I CANNOT imagine that red hair away. I do my best. I think to myself, `Now my hair is a glorious black, black as the raven s wing. But all the time I KNOW it is just plain red and it breaks my heart. It will be my lifelong sorrow. I read of a girl once in a novel who had a lifelong sorrow but it wasn t red hair. Her hair was pure gold rippling back from her alabaster brow. 「brow」松本訳注第2章(12) p. 457参照 What is an alabaster brow? I never could find out. Can you tell me?" "Well now, I m afraid I can t," said Matthew, who was getting a little dizzy. He felt as he had once felt in his rash youth when another boy had enticed him on the merry-go- round at a picnic. "Well, whatever it was it must have been something nice because she was divinely beautiful. Have you ever imagined what it must feel like to be divinely beautiful?" "Well now, no, I haven t," confessed Matthew ingenuously. "I have, often. Which would you rather be if you had the choice--divinely beautiful or dazzlingly clever or angelically good?" "Well now, I--I don t know exactly." "Neither do I. I can never decide. But it doesn t make much real difference for it isn t likely I ll ever be either. It s certain I ll never be angelically good. Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!! Oh, Mr. Cuthbert!!!" つづきはこちら CHAPTER I UP CHAPTER II つづき 8 October 2007 *1 ウィキペディアが全て正しいと考えているわけではありません。とはいえ、写真は有用であること、また、読んでみて、それなりに適切と思うものはリンクしてもいいと考えています。そこで、いい情報になりそうなものにはリンクを張りました。ただし、リンク先は時間が経つと変わってしまう可能性がありますので、ご注意を今日 - | 昨日 - | Total - since 8 October 2007 last update 2007-10-08 17 07 40 (Mon)
openx @ ウィキ - pre-check.php/OX_initialSystemCheck()
https://w.atwiki.jp/openx/pages/25.html

概要設定を確認し、問題が捕捉されたら表示する引数なし実装 function OX_initialSystemCheck(){ $errorUrl = http //www.openx.org/help/2.8/pre-init-error/ ; OX_checkSystemInstalled()参照 $installed = OX_checkSystemInstalled(); $aErrors = array(); $erorCode = OX_checkSystemInitialRequirements($aErrors); if ($erorCode !== true) { $imageRelativePath = ./www/admin/precheck/ ; // Do functions strpos parse_url exist? If so, try to // guess the proper relative path... if ($erorCode != -2) { // Checking if URL include www or admin in path if (strpos($_SERVER[ REQUEST_URI ], /www/admin/ ) !== false) { $imageRelativePath = ./precheck/ ; } else if (strpos($_SERVER[ REQUEST_URI ], /www/ ) !== false) { $imageRelativePath = ./admin/precheck/ ; } } CSSの設定　　　　// We always trying show images in CSS $bodyBackground = url( {$imageRelativePath}body_piksel.gif ) repeat-x ; $liBackground = background url( {$imageRelativePath}list_element.gif ) no-repeat; ; $openXLogo = background url( {$imageRelativePath}openx_logo.gif ) no-repeat; ; $message = !DOCTYPE html PUBLIC -//W3C//DTD XHTML 1.0 Transitional//EN http //www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd html xmlns= http //www.w3.org/1999/xhtml xml lang= en lang= en head meta http-equiv= Content-Type content= text/html; charset=UTF-8 / meta name= Keywords content= / meta name= Description content= / title php Error page /title style type= text/css body { margin 0; background #fff . $bodyBackground . ; font-family Arial, Helvetica, sans-serif; font 12px Arial; color #747474; } h1 { width 80%; font 26px Arial; color #000; } h2 { width 80%; font 12px Arial; color #747474; margin-top 20px; } .error_container { margin-top 80px; margin-left 93px; } .error_list { width 80%; padding-left 33px; padding-top 15px; padding-bottom 15px; line-height 18px; border-top 1px solid #eee; border-bottom 1px solid #eee; } ul { list-style-type none; list-style-position outside; padding 0px; padding-top 10px; margin 0px; margin-left 15px; } li { .$liBackground. padding-left 10px; } .help_link active, .help_link link, .help_link visited { color #0767a8; text-decoration none; } .help_link hover { color #0767a8; text-decoration underline; } .logo_image { .$openXLogo. width 173px; height 60px; } /style /head body div class= logo_image nbsp; /div div class= error_container ; if ($installed) { $message .= h1 Sorry, but OpenX cannot currently run on your machine /h1 ; } else { $message .= h1 Sorry, but the OpenX installer system cannot currently be started /h1 ; } $message .= div class= error_list Detected problem ; if (count($aErrors) 1) { $message .= s ; } $message .= ul ; echo $message; foreach ($aErrors as $errorMessage) { echo li {$errorMessage} /li ; } $message = /ul /div h2 Please see our a href= .$errorUrl. class= help_link documentation /a for help with the above error ; if (count($aErrors) 1) { $message .= s ; } $message .= . /h2 /div /body /html ; echo $message; // Terminate execution exit; } } コメント
オペラ対訳プロジェクト - Lortzing,Albert/Der Wildschütz/I-2
https://w.atwiki.jp/oper/pages/2351.html

第七場（グレートヒェン、ナネッテ）ナネッテお嬢さん、ほんとうにあの先生が恋人なんですか？グレートヒェン恋人？ちがうわ、婚約者よ。ナネッテしかし、どうしてまたあれほどお年の方と結婚なさるのです？グレートヒェンあなたは事情を知らないからそんなこと言えるのよ。あたしたちみたいに二十五歳で、おまけにまだ独身だったら巷ではもうオールドミス扱いなのよ。あれ、ほんとうに不愉快だから誰だってあんな言われるくらいなら年寄りとでも結婚したほうがいいって思うわ。特にセバスティアンは収入もいいのよ。この村は大きいし、教える子どもたちがいて・・・。あなたにはわからないでしょうけど、あたしたたちはいつも子どもたちの祝福を受けてるのよ。ナネッテ結婚式はいつ？グレートヒェン一週間以内には式を挙げるつもりなんだけど・・・。でも、セバスティアンが職をなくしてしまったらどうしたらいいか。ナネッテまあ、僕の立場ではあまり心配していないが。グレートヒェン何て失礼な！　（親しげに）　どうしてそんなこと言うの？ナネッテ万一の時は僕が校長になろうかと思ってね。もし・・・花嫁を得られるのなら。グレートヒェンやめてよ！そんなつるつるした肌で校長だなんて不可能だわ。子どもたちから尊敬してもらえないわよ。ナネッテそんなこと、気にしないよ。愛があれば困難など切り抜けられるさ。もし、この望みがかなえば・・・。抱きしめておくれ、グレートヒェン。グレートヒェンちょっと、恥だと思いなさい！まじめな娘を相手にそんなことを持ちかけるなんて。放してよ。あたし、お客さんのところに行かないといけないんだから。きっとどこにいるのかと思ってるわ。ナネッテだが、お客がいなくなったら・・・グレートヒェンそしたらまたすることが待ってるの。洗濯物を仕分けして、ほかにも家事がいっぱい・・・　（自分の住まいを指し、もったいぶって）　とにかくね、嫁入り前にはすることが山ほどあるんだから。ナネッテ何か手伝おうか？グレートヒェンたしかに、あなたはうまくやれそうね。ナネッテあなたの婚約者さまから任務を言いつかってるものだから。ノートを取りながらお相手ができれば。グレートヒェンとんでもない、おしゃべりしてたら考えはまとまらないわよ。ナネッテでも、僕が勉強していることについてだったら？グレートヒェンだったら大丈夫かもね。窓のところに立って何かお話しして。ナネッテ寝どられ男のジークフリートの話でもしようか？グレートヒェンどんな人だったの？ナネッテジークフリートの名まえは有名だよ。角笛を持ってる男さ。グレートヒェンそれって面白いお話？ナネッテああ、とっても面白いよ。グレートヒェンすてき。ぜひ聞きたいわ、あたしの知識を増やせそう。ねえ、ノートなんか取らないでおいたら？すごく退屈よ。それよりここのベンチに座ってお話しして。ナネッテあまり長くはいられないよ。雨が降り出しそうだし・・・空が曇ってきてるよ。グレートヒェンもちろん、雨が降ったら外にいられないわよ。当たり前じゃない。　（恥ずかしそうに）　降りだしたら、家の中に来てもいいわよ、ほんのちょっとだけなら。そのかわりちゃんと節度をわきまえてよね。さもないと・・・第八場（前場の人々、バクルス。）バクルスおい、節度はわきまえているだろうな？グレートヒェンもちろんよ。いろいろとお教えしていたところ。バクルスおまえが？そりゃ感心だ。さあ、学生さんはもう行きたまえ。友達が待ってるぞ。ナネッテじゃあ、またあとでね、お嬢さん。（退場）バクルス待ってろ。「またあとでね」など、そうはさせんからな。グレートヒェンもう、セバスティアン。彼はいい人よ。バクルス何だ、まだ半人前じゃないか。勉強することしか眼中にない。グレートヒェン彼はね、お話を聞かせてくれようとしていたのよ、寝どられセバスティアンの・・・バクルスえっ？寝どられ何だって？グレートヒェンジークフリートの言い間違いよ。バクルスいいかね、グレーテ。あの若いやつはスパイなんだかどうだか知らんが、とにかくあいつのことは話したくない。でなきゃ、私はここを動かないか、あるいは全員を追いだしてしまうぞ。今はお客さんのところに行って、それが済んだら部屋に閉じこもっておとなしくしていなさい。誰にも寝どられるか寝どられないかなど話させちゃいかん。グレートヒェン歩いて行くの？バクルス歩かなくて済むと思ってるのかね？グレートヒェンああ、そうよね。あなたのロバが・・・バクルス「ヌラ・マルヘウリタス・ソロ」。ラテン語で泣きっ面に蜂って意味さ。近所に行く時はいつもあいつにまたがっていたんだがな。それがここ数日はちょっと遠くても歩かなくちゃならん。グレートヒェンロバさんはきっと帰ってくるわよ、すごくいい子だもの。バクルスああ、そう願ってはいるんだが。あの子と私は心が通い合ってた。人が言うには、やつは私そっくりだとか・・・　（続く音楽の序奏が始まる。）　あの吹奏楽は何だ？何とかあの音楽から逃げ出さんことには。　（背景をうかがって、）　ああ、生きた心地がしない。領主さまが狩の一行といっしょにおいでだ。グレートヒェン伯爵が？バクルス（グレートヒェンを押しやって）急げ、あっちに行ってろ。姿を見せちゃだめだ。ここに長くおいでかもしれん。グレートヒェン音楽を聴きたいのに。バクルス明日、オルガンで演奏してやる。さ、早く、早く！（彼女を居酒屋に引っぱっていく。）第九場（伯爵と男爵が狩りの仲間を連れて登場。） Nr. 5 - 狩りの歌伯爵、男爵、狩人たちあそこの元気のいい狩人をごらん、銃を背中にかけ、いかにも野性的。彼は朝早く起きだして、静かな家から森へと走る。嬉しそうに目を輝かせ、角笛を携えて。これがなくては始まらない、彼は楽しい思いを角笛に込める。だから狩人は角笛が大好き、銃を肩に背負った野生の男は。トララ！トララ！トララ！夕暮れが近づき、山が黄金色に染まりはじめると、彼は歩みの向きを変え、恋人のことを考え始めたようす。狩人の角笛が奏でる歌は森じゅうに響き渡り、彼の恋人を涼しげなオークの林へと呼び寄せる。だから狩人は角笛が大好き、銃を肩に背負った野生の男は。トララ！トララ！トララ！恋人が狩人のそばに座ると、彼は彼女に甘いキスをして、喜びを吸い上げる。もう角笛の楽しみは忘れてしまった。彼は角笛を地面に置く、獲物にした野ウサギのそばに。そして恋人の胸に飛び込み、うっとりと幸せに酔うのだ！今は狩人も角笛はいらない、銃を肩に背負ったおとなしい男だ。トララ！トララ！トララ！伯爵（狩人たちに）ちょっと休んでから先に行こう。喉を潤してくるといい。（狩人たちは居酒屋に入って行く。）伯爵（バクルスの家の前に置かれたベンチに座った男爵に）狩りに疲れたのかね？それとも愛の幸せを歌った狩りの歌でまた感傷的な気分になったのか？男爵仮にそうだとしても悪くは思わないでくれるだろう？だって、きみも知ってるとおり・・・伯爵頼むから勘弁してくれ。きみの不幸な結婚についての話はもう耳にタコができそうだよ！もう喪は開けたんだぜ。向こうにはいやっていうくらい女の子がたくさんいる。悪いことは言わないから気に入ったのがいないか探してみたまえ。で、誰もきみの心にかなう人がいないとなったら、わが妹の出番だ。私は彼女の到着を待ちわびているんだよ。きみと妹がともに幸せになるならこれより嬉しいことはない。すでに妹には手紙できみのことを匂わせているんだ。男爵やめてくれよ。再婚を避けるためにわざわざ馬屋番のふりをしてここに来たんだから。姉はーつまりきみの奥さんのことだがー僕が小さかった頃に家を出てしまったから、まさか僕が自分の弟とは気づいてないだろう。それで、ちょっとばかり宮廷に仕えることにしたのさ。伯爵おいおい、いたずらだな。それがわが妻に対する扱いか？で、いつまで偽名を使ってるつもりだね？男爵遅くとも明日までだな。明日になったら結婚するか先に行くか決める。伯爵妹に会わないつもりか？男爵それについては約束できない。万一、気に入られたりしたら傷つけるだけで終わるし。僕は自分の気持ちに忠実でいたいんだ。もし次に結婚するとしても、身分なんか気にしないよ。伯爵例えば、メイドを好きになったとしても？男爵もちろんさ。伯爵農家の娘とか？男爵とにかく身分なんかどうでもいい。伯爵きみの気がぱっと晴れてくれたらなあ。まあ、男が恋人や妻を失うと落ち込まないわけはないがね。男爵何を考えてるんだい？僕の信念は堅いよ。伯爵（にやっとして、）へえ、そうかい？男爵笑ってるな。気分を害するからやめてくれよ。僕のこと、自分と同じように考えないでほしい。伯爵いけないのかね？男爵あたりまえだよ。非情な世間ではね、きみの周りに集まってくる娘には用心、ってことになってるんだ。伯爵とんでもない中傷だな！なに、この私だって信念は持っているのだよ。どんな娘たちよりも我が妻を一番崇拝している。ー我々がなぜ結婚したか知っているかね？私はもともと貧しかったが、彼女は裕福でね。私は若かったが、彼女ははっきり言ってもう若くなかったんだ。二人とも別に恋人がいたし、そのうえここまで不釣合いでは結婚がうまくいくはずもないんだ。私があの時もうちょっと分別を持っていたら・・・（居酒屋から乾杯の声が聞こえてくる。）伯爵あれはいったい何だ？男爵きっとお祭りだね。伯爵結婚式だ！おい、農民の結婚式ほどいいものはないぞ！行こうじゃないか。男爵いやだね。楽しげな人たちのところでどうしろっていうのさ？伯爵ふさぎの虫を追い払ってくれよ、私のためと思って！男爵いいよ。楽しんで来いよ。邪魔はしないから。伯爵（男爵を引っぱって行って、）おい、何だか信念が揺らいできそうな気がしないか？男爵（ちょっと考えてみてから）いや、思わないね。伯爵（男爵をしっかり押さえこんだまま）とにかく！みんな居酒屋から出てくるようだ。我々の仲間はそろそろ出発するころと思って、来たんだな。男爵じゃ、ここで待とう。伯爵（開いたドアから中を窺って）おお、かわいい娘たちだ。もうどうとでもなれ！ちょっとお邪魔しようじゃないか。第十場（前場の人々。バクルス、客人たち。まず客人たちが現れ、バクルスは彼らを見送るように後ろからついてくるが、伯爵を目にすると、急いで逃げ戻り、戸口の前に立ったままでいる。） Nr. 6 - フィナーレ農民たちそろそろおいとまいたします。ほんとうにありがとうございました。あんなにたくさんのごちそうをいただいて、お腹いっぱいになりました。伯爵（進み出て、）こんばんは、皆さん！農民たち伯爵！おいででしたか！伯爵私が見たところ、何かお祝いがあったようだが。ちがうかね？農民たちええ、そうなんです、伯爵さま。伯爵（男爵に）おい、きれいな娘たちじゃないか。気に入らないかね？男爵かわいい人たちだ！伯爵この中で一人くらい胸が高鳴るのはいないのかなあ。男爵僕の心は暗くて、頭は重い。思い出はどうしても忘れられない。でも、まあ、きみのためだ。一度やってみよう。（彼は娘たちのほうに行き、ふざけあう。）伯爵（独白）見ていろ、私は賭けてるからな。おまえの苦しみがどんなに大きかろうと、目的はもう定まってるんだ。バクルスは、伯爵らの注意が自分からそれている間に、客人たちに歩み寄り、自分の婚約については言わないように頼む。農民たち（お互いに）こりゃふしぎだ。なぜ今日のお祝いが彼の婚約だって言っちゃいけないんだろう？第十一場（前場の人々。グレートヒェンが興味津々で居酒屋から出てくる。）グレートヒェンまだ伯爵さまはおいでなの？伯爵、男爵おい、おい、きれいな子じゃないか！もっとこっちにおいでよ、いい子だから。バクルス（ちょっと大きな声で）だが。グレーテ、おまえはやることがいっぱいあるだろうに！農民たちほら、焼きもちだ。たぶん、あの紳士方を恐れてるんだろうよ。（バクルスまたもや身振りで、グレーテと自分の関係を気づかれないようにしてほしいと合図する。）伯爵、男爵この瞳、この頬。憧れと望みを呼び起こさずにはいられない。かわいいお嬢さん、名まえは何というの？グレートヒェン（おびえ、しきりに脅すように合図しているバクルスのほうを見ながら）恐れ入りながらグレートヒェンと申します。伯爵グレートヒェンか！いい名まえだ。男爵そうだね。女神のように魅惑的で、清らかな牧歌性も兼ね備えた名まえだ。伯爵おやおや、私が見たところ、きみにも追っかける気が出てきて、悲しみは和らいだようだな。男爵それもこれもきみのためさ。だから楽にできるんだよ。伯爵これは面白くなるぞ。笑わずにはいられないね。この表情ときたら！弱虫もいいとこだ。まるで高名な英雄よろしくすぐ愛の犠牲になるんだからな。たいしたものだ！男爵彼女は楽しみに誘い込んでくるような気がする。間違っても恋に落ちるようなことだけは避けなくては。僕は何て臆病なんだろう。久しく感じていなかった熱い想いがこみ上げてくる。気をつけなくては。グレートヒェン先生ってば、ほんとおかしいわ。笑うなったって無理よ。あの表情ときたら！見てよ、あの臆病者。焼きもちでおかしくなってるわ。まだ結婚してもないのにね。ほんと弱虫よ！バクルス何たる騒ぎ！おお、恐ろしい！私の不安をみんなして面白がっている。生きて行く間にはこんな目にも遭わねばならぬのか。愛に悩んでいるというのに、それを笑われるとは！農民たちこりゃ、面白いぞ！まったくお笑いだ！あの表情ときたら！見ろよ、あの臆病さかげんをさ。ひどい焼きもちを焼いてるぜ。まだ結婚してもないのにさ。こりゃ、笑えるぜ！第十二場（前場の人々。男爵夫人が農民の衣装をつけて家から出てくる。）男爵夫人さあ、まいりましたわ。農民たちえっ、この人は？校長の家に女友達が一人？男爵（男爵夫人を見とめて）これはまた魅力的な娘さんだ！伯爵（同じように）まったく魅力的な娘に事欠かないな。グレートヒェン（独白）あの学生さんたら、ほんとかわいく見えるんだから。バクルス（独白）あいつめ、家の中にいればよかったものを！伯爵（男爵夫人を指して）あの姿を見たまえ。男爵魅惑的だ。伯爵顔色は生き生きしているし、男爵唇はバラ色、伯爵あの喉元、男爵おまけにあの髪。伯爵、男爵それとあの二つの瞳も。この貴族的な品格、どうも農民とは思えない。お嬢さん、きみはほんとうに田舎の生まれなの？男爵夫人あたしは素朴な田舎娘よ。青々と広がる草原の上に建ってるあの小屋があたしのお家で、自然が自ら乳母を務めてくれるの。にぎやかに炉を囲むのも楽しいし、山のてっぺんで素敵な空気を吸うのもほんとに、最高の気分なんだから。ずっと田舎にいたいわ。田舎ってほんと素敵なの！都会の栄光については聞いたことあるわ。みんなして贅沢三昧してるんですってね。だけど、賭けてもいいけど、礼儀作法の点では田舎に劣ると思うわ。都会の方たちは狭い視野の中で生きてるみたいだわ。あたし、都会はいや。ずっと田舎にいたいわ。田舎ってほんと素敵なの！伯爵、男爵これほど自然な魅力をたたえた女性には出会ったことがない。グレートヒェン、バクルスあの若者は政略法を心得ているね／わ。見ているとほんとに面白い。農民たち田舎は素敵だとも！第十三場（前場の人々。狩人たちが居酒屋から出てくる。）狩人たち夕立が来そうだ。雷が聞こえる。伯爵、よろしければお供させていただきますが。伯爵（ありがとう。おまえたちだけで帰ってくれ。私はまだいるから。）男爵ああ、でも伯爵夫人が朗読にお呼びになっていなかった？伯爵ちくしょう！そうだった。しかたないな。今夜はおとなしく忠実な夫を演じるとするか。（農民たちに）だが、明日は私の誕生日パーティーがあるから、皆さんをご招待しよう。たくさんごちそうするぞ。どうぞいらしてください。乾杯して、踊って歌って楽しもう。私がいつもどれほど皆さんのことを考えているかを示すつもりだ。農民と狩人（大喜びで感謝する。）明日は伯爵の誕生日パーティーだ。招待されたぞ。大盤振る舞いだ。みんな揃って行こう。乾杯して、踊って歌って楽しもう。領主さまのご厚意は決して忘れません。伯爵あの可愛い娘さんに会って、二人きりでおしゃべりしよう。一緒にダンスの輪に加わって、大いに楽しむぞ。ほかの者たちは生きるだけで楽しいようだが、私があれこれ努力してると、いつも決まって心配の種になるんだから。男爵ぜひともこのかわいい娘さんに会って、二人きりで話してみたい。いったい自分がどうなったのか分からない。彼女はすっかり僕の心を奪ってしまった。できるものならこの娘さんを僕のものにしたい。ああ、そうしたらまた人生もばら色になるだろうに。男爵夫人認めたくはないけど、あの紳士のこと、すっかり気に入っちゃったわ。あんなに感心したふうに見られちゃ、照れてしまう。どういうつもりかは知らないけれど、とにかくわたしに夢中みたい。グレートヒェンあたしも一緒に行けたらいいのに。あたしだって楽しいことして、みんなと踊りたいわ。でも、残念なことにそうはいかない。ほかの人たちが楽しんでいるあいだ、あたしは静かにここにいて、一人ぼっち。皆さんに混じっちゃいけないなんてひどいわ。バクルス（グレートヒェンに）とにかく気をつけるんだぞ。策略を使って、うまくやってのけるからな。何もかも順調だ。伯爵は赦してくださるだろう。おまえは私の妻になって、幸せに暮らすのだ。じきにこの心配も終わりだ。農民と狩人思いっきり楽しもうじゃないか。きっとすごくおもしろいぞ。伯爵が招待してくださったんだ。一緒に行こうじゃないか。これぞ生きる楽しみの一環。領主さま、万歳！その寛大さにひれ伏そう！（バクルスは嫌がるグレートヒェンを家に入れてしまう。）伯爵（男爵夫人に）きれいなお嬢さん、どうかな。きみもパーティーには来てくれるのかな？男爵夫人お許しくださるなら。伯爵おやおや、もちろん招待するとも。（グレートヒェンを捜して）もう一人の可愛い子ちゃんは？どこにいるか知らないかね？彼女にも来てもらいたいのだが。バクルス（独白）タイミングが悪いな。伯爵（くるっと向きを変え、バクルスを見て、）この顔は間違いない、校長殿だな、あのシカを射止めた。バクルスお許しを！伯爵あっちに行け！バクルス申し訳なく思っては・・・伯爵いいから行け！もう分かってるはずだ！農民たちおや、どうして伯爵はお怒りなんだろう？男爵夫人（バクルスに小声で）僕を紹介しておくれ。バクルス見ての通り、今はだめだ。花嫁がいようといまいと。伯爵皆さん、ではまた。お祝いの席でお会いしましょう。明日は踊ったり、歌ったりしてください。私は楽しみにしていますよ。伯爵、男爵、男爵夫人、バクルス（一緒に）楽しみです。伯爵あの可愛い娘さんに会って・・・ usw. 男爵ぜひともこのかわいい娘さんに会って・・・ usw. 男爵夫人認めたくはないけど・・・ usw. グレートヒェン（窓辺で）あたしも一緒に行けたらいいのに・・・ usw. バクルスとにかく気をつけるんだぞ。 usw. 農民と狩人思いっきり楽しもうじゃないか。 usw. SIEBENTER AUFTRITT Gretchen. Nanette NANETTE Sagt mir, schönes Kind, ist denn das wirklich Euer Schatz? GRETCHEN Schatz? - Nein, er ist mein Bräutigam. NANETTE Wie konntet Ihr Euch entschliessen, solch nen alten Perückenstock zu heiraten? GRETCHEN Herr Student, das versteht Er nicht. Wenn unsereins fünfundzwanzig Jahre alt und noch nicht unter der Haube ist, so fangen die Leute an von alten Jungfern zu munkeln, und das klingt so hässlich, dass man denkt, ein alter Mann ist doch besser als gar keiner; ausserdem hat der Herr Sebastian einen recht einträglichen Posten; das Dorf ist gross, und Kinder haben wir - ich meine unser Dorf - Er glaubt nicht, Herr Student, wie reich gesegnet wir mit Kindern sind. NANETTE Wann wird denn Eure Hochzeit sein? GRETCHEN In acht Tagen - soll die Hochzeit sein. Nun denke Er sich das Unglück, wenn der Herr Sebastian um seine Stelle käme. NANETTE Ich, meinesteils, würde darüber gar nicht böse sein. GRETCHEN Oh, garstiger Mensch! Freundlich. Warum denn? NANETTE Weil ich mich alsdann um die Stelle bewerben würde, und - wenn mir s gelänge, auch um die Braut. GRETCHEN O geh Er! Er würde einen saubern Schulmeister abgeben mit seinem Milchgesicht; Ihm spielten ja die Kinder auf der Nase herum. NANETTE Daraus machte ich mir nichts; freilich müsste mich die Liebe dafür entschädigen - wenn es mir daher gelänge - Umarmt Gretchen. GRETCHEN Pfui, schäm Er sich, einem ehrbaren Mädchen solche Dinge vorzureden; lass Er mich los, ich muss hinauf zu den Gästen, die werden gar nicht wissen, wo ich geblieben bin. NANETTE Aber wenn sie fort sind - GRETCHEN Dann habe ich zu tun, ich muss Wäsche zeichnen - zu Hause bei mir - Auf ihre Wohnung zeigend, wichtig. Ja, ja, mein lieber, junger Mensch, es gibt allerlei zu tun, wenn man sich verheiraten will. NANETTE Kann ich Euch dabei nicht helfen? GRETCHEN Na, Er wird was Schönes zeichnen. NANETTE Zwar hat mir Euer alter Schatz eine Beschäftigung gegeben - ich soll Schreibebücher korrigieren. GRETCHEN Da sieht Er, also ist an Plaudern gar nicht zu denken. NANETTE Wenn ich aber mit meiner Arbeit bin? GRETCHEN Dann ist es etwas anderes. Er kann sich hierher ans Fenster stellen und mir etwas erzählen. NANETTE Vom gehörnten Siegfried? GRETCHEN Wer war denn das? NANETTE Ohne Zweifel einer, der Siegfried hiess und Hörner hatte. GRETCHEN Ist denn das eine spassige Geschichte? NANETTE Wenigstens sehr unterhaltend. GRETCHEN Schön; ich höre dergleichen für mein Leben gern. Weiss Er was? Sehe Er die Schreibebücher lieber nicht nach; das ist eine schrecklich langweilige Arbeit - setz Er sich hier auf die Bank und erzähl Er mir. NANETTE Da werd ich nur nicht lange bleiben können, denn wenn es anfängt zu regnen - der ganze Himmel ist umzogen - GRETCHEN Nu, wenn s regnet, kann Er nicht draussen sitzenbleiben, das versteht sich von selbst. Verschämt. Dann kann Er ein bisschen hereinkommen - aber ernst dass Er sich ordentlich aufführt, sonst - ACHTER AUFTRITT Die Vorigen. Baculus BACULUS He! Führt Er sich nicht ordentlich auf? GRETCHEN Ei freilich. Ich gebe ihm nur ein bisschen gute Lehren. BACULUS Du? Das kommt mir ganz wunderbar vor. Geh Er hinauf, Sein Freund verlangt nach Ihm. NANETTE Also auf Wiedersehen, schöne Braut. ab BACULUS Ja, wart Er, ich will Ihm die Wiedersehens-Gedanken schon vertreiben. GRETCHEN Ach, Herr Sebastian, das ist ein nettes Kerlchen. BACULUS Warum nicht gar, so ein unreifes Bürschchen! Er sieht ja aus wie ein abgebrochener Bleistift. GRETCHEN Er erzählt mir die Geschichte vom gehörnten Sebastian - BACULUS Was? Vom gehörnten -? GRETCHEN Siegfried wollt ich sagen. BACULUS Grete, ich sage dir lass mir den jungen Schnüffel aus dem Spiele, oder ich bleibe da und lasse alles gehen, wie es wolle. Jetzt gehst du hinauf zu den Gästen, später sperrst du dich in deine Stube ein und lässt dir keine Geschichten erzählen, weder gehörnte noch ungehörnte. GRETCHEN Will Er denn zu Fusse gehn? BACULUS Muss ich denn nicht? GRETCHEN Ach, es ist ja wahr, sein Esel - BACULUS Nulla malheuritas solo, sagen wir Lateiner, Unglück kommt nie allein; habe auf dem guten Tiere so manchen Ritt in die Nachbarschaft vollbracht, doch seit einigen Tagen muss ich per pedes wandern. GRETCHEN Ach, der gute Esel wird schon wiederkommen. BACULUS Wollen s hoffen denn ich leugn es nicht, wir waren ein Herz und eine Seele; er war, was man sagt, mein zweites Ich - Das Vorspiel des folgenden Musikstücks beginnt. Was ist denn das für ein Geblase? Kann ich denn von den Hörnern gar nicht loskommen? Sieht in die Szene. So wahr ich lebe, das ist der gnädige Herr mit seiner Jagdgesellschaft. GRETCHEN Der Herr Graf? BACULUS sie zurückdrängend Marsch hinauf, und lass dich nicht blicken, so lange er hier ist. GRETCHEN Ich wollte gern die Musik hören. BACULUS Die will ich dir morgen auf der Orgel vorspielen. Fort! Fort! zieht sie ins Wirtshaus NEUNTER AUFTRITT Der Graf und der Baron treten auf mit Jagdgefolge. Nr. 5 - Jagdlied GRAF, BARON, JÄGER Seht dort den muntern Jäger, Den wilden Büchsenträger, Er zieht aus stillem Haus Ganz früh zum Wald hinaus. Im Auge glänzt die Freude, Ein Horn an seiner Seite; Weil sie ihm engt die Brust, Haucht er ins Horn die Lust. Drum liebt das Horn der Jäger, Der wilde Büchsenträger. Trara! Trara! Trara! Wenn spät die Sonne scheidet, In Gold die Berge kleidet, Er heim die Schritte lenkt Und heiss ans Liebchen denkt. Des Jägerhornes Lieder, Sie hallen waldwärts wider Und locken seinen Schatz Zum kühlen Eichenplatz. Drum liebt das Horn der Jäger, Der wilde Büchsenträger, Trara! Trara! Trara! Sitzt sie ihm nun zur Seite, Dann haucht er Lust und Freude Süss aus in einem Kuss, Vergisst des Hornes Gruss; Das legt er auf den Rasen, Zu seinen toten Hasen Und schwelgt in freud ger Lust An seines Liebchens Brust! Da braucht kein Horn der Jäger, Der zahme Büchsenträger. Trara! Trara! Trara! GRAF zu den Jägern Eine kurze Rast, Kinder, dann ziehen wir weiter. Erquickt euch. Die Jäger gehen ins Wirtshaus GRAF zum Baron, der sich auf die Bank vor Baculus Haus gesetzt Müde vom Jagen, Herr Bruder, oder hat unser Jagdlied, mit seinen Anspielungen auf das Glück der Liebe, deinen Weltschmerz wieder rege gemacht? BARON Und wenn es so wäre, könnte man es mir verargen? Du weisst - GRAF Aber, ich bitte dich, höre doch endlich auf, das alte Lied deiner missratenen Ehe zu singen! - Du hattest eine glückliche Idee, dich nach dem Trauerjahr hierherzuflüchten; wir haben hier in der Gegend einen herrlichen Mädchenflor; da suche dir aus, Herr Bruder, und gesetzt, du fändest keine, deren Blick dich fesselte, nun so haben wir ja noch meine Schwester, deren Ankunft ich täglich erwarte - welche Freude, wenn ihr euch gegenseitig behagtet. Schon habe ich in meinen Briefen ihr einen Wink gegeben. BARON Das ist mir nicht lieb. Eben um eine Gelegenheitsmacherei zu vermeiden, kam ich hierher unter dem Titel eines Stallmeisters. Meine eigene Schwester, deine Gattin, die das elterliche Haus verliess, als ich noch ein Kind war, ahnt nicht, dass ich ihr Bruder sei, ja, ich habe mir sogar erlaubt, ihr ein wenig den Hof zu machen. GRAF Ei, du Spitzbube, meine ehrbare Gemahlin zum besten zu haben? Und wie lange gedenkst du dein Inkognito zu behaupten? BARON Vielleicht nur bis morgen. Entweder wähle ich mir morgen eine Frau oder ich ziehe weiter. GRAF Doch nicht, ohne meine Schwester gesehen zu haben? BARON Das kann ich dir nicht versprechen. Der Gedanke, sie sei mir bestimmt, macht sie mir schon zuwider. Nur meinem Herzen will ich folgen, wes Standes die Erkorene auch sei. GRAF Und wenn nun ein Kammerkätzchen dein Herz eroberte? BARON Gleichviel. GRAF Oder eine Bauerndirne? BARON Einerlei. GRAF Ich glaube, du wärst imstande, bloss um deiner Grille zu genügen, einem Manne die Braut oder gar die Frau abspenstig zu machen. BARON Wo denkst du hin, Herr Bruder? Ich habe strenge Grundsätze. GRAF lächelnd Wirklich? BARON Du lächelst? Das könnte ich dir übelnehmen. Du musst mich nicht nach dir beurteilen. GRAF Nach mir? BARON Allerdings. Die böse Welt will behaupten, dass kein hübsches Mädchen vor dir sicher sei. GRAF Schändliche Verleumdung! Nein, Herr Bruder, auch ich habe Grundsätze. Ich verehre meine Gattin über alle Massen-nun, du weisst, wie diese Heirat zustande kam ich war arm, sie war reich, ich bin jung, sie nicht mehr ganz jung, jedes hat seine eigene Liebhaberei, und trotz dieser Ungleichheiten kann keine glücklichere Ehe existieren als die unsrige. Wenn ich mir nun wirklich einmal erlaubte - Man hört im Wirtshaus einen Toast ausbringen GRAF Was Teufel ist denn da los? BARON Gewiss ein Fest. GRAF Eine Hochzeit! Bruder, so eine Bauernhochzeit ist mein Leben; lass uns hinein! BARON Ich bin verstimmt, was soll ich bei den Fröhlichen? GRAF Schüttle deinen Weltschmerz ab, tu es mir zuliebe. BARON Wohl! Bloss um dein Vergnügen nicht zu stören. GRAF führt ihn vor Höre, es läuft doch nicht gegen unsere Grundsätze? BARON nach kurzem Bedenken Ich dächte nicht. GRAF ihn unter den Arm fassend Nun also! - Sie wenden sich gegen das Wirtshaus. Aber, wie es scheint, ist die Gesellschaft im Aufbruch begriffen und kommt hierher. BARON So müssen wir sie hier erwarten. GRAF durch die offene Tür sehend Hübsche Mädchen, hol mich der Teufel! Lass uns ein wenig beiseite treten. ZEHNTER AUFTRITT Die Vorigen, Baculus, die Gäste. Die Gäste treten zuerst auf. Baculus, ihnen das Geleit gebend, folgt; wie er den Grafen sieht, geht er schnell zurück und bleibt unter der Tür des Wirtshauses stehen Nr. 6 - Finale LANDLEUTE Lasset uns nach Hause gehen, Nehmet unsern Dank, Herr Wirt, Alle müssen eingestehen, Ganz honett hat Er traktiert. GRAF hervortretend Guten Abend, liebe Leute! LANDLEUTE Der Herr Graf! Wie, sehn wir recht? GRAF Wie ich merke, wurde heute Hier ein Fest gefeiert? Sprecht! LANDLEUTE Ei, ja freilich, gnäd ger Herr! GRAF zum Baron Nun, gefallen dir die hübschen Weiber nicht? BARON Allerliebst! GRAF Von diesen allen Keine dir zum Herzen spricht? BARON Finster ist mein Sinn und trübe, Die Erinnrung will nicht ruhn! Doch, mein Bruder, dir zuliebe, Will ein übriges ich tun. Er geht zu den Mädchen und schäkert mit ihnen GRAF für sich Warte, Schelm, ich will drauf wetten, Dass dein Weltschmerz, noch so gross, Bald sein Ziel gefunden hat. Baculus ist, während die beiden abgewendet standen, zu den Gästen getreten, ihnen begreiflich machend, dass sie seine Verlobung nicht erwähnen möchten LANDLEUTE unter sich Das ist seltsam in der Tat; Warum sollen wir nicht sagen, Dass das Fest heute ihm gegolten hat? ELFTER AUFTRITT Die Vorigen. Gretchen, neugierig aus dem Wirtshause kommend GRETCHEN Ist der gnäd ge Herr noch da? GRAF, BARON Sieh! Sieh! Ein allerliebstes Kind! Immer näher, liebe Kleine! BACULUS halblaut Aber Grete, Plagt dich ganz und gar der Teufel? LANDLEUTE Eifersüchtig ist er, ohne allen Zweifel, Auf diese beiden da! Baculus gibt ihnen abermals pantomimisch zu verstehen, nicht zu verraten, dass Grete seine Braut sei GRAF, BARON Diese Augen, diese Wangen Wecken Sehnsucht und Verlangen. Sprich, wie heisst du, holdes Mädchen? GRETCHEN eingeschüchtert und nach Baculus blickend, der ihr winkt und droht Zu Befehl, ich heisse Gretchen. GRAF Gretchen! Allerliebster Name! BARON Ja, fürwahr, so rein idyllisch, Reizend, wie das ganze Wesen. GRAF Ei, Herr Bruder, wie mir scheint, So erwachen deine Triebe, Und der Weltschmerz weicht. BARON Es geschieht nur dir zuliebe, Darum wird mir s leicht, ganz leicht! GRAF Das ist wahrlich zum Ergötzen! Ich muss lachen, Mich an seinen Mienen letzen; Seht den Schwachen, Der als hochgepriesner Held Gleich der Lieb zum Opfer fällt. O des Schwachen! BARON Sie ist wahrlich zum Ergötzen! Ich muss wachen, Darf mich nicht in Glut versetzen, Mich, den Schwachen; Denn fürwahr, nur wenig fehlt, Dass mich heisse Glut beseelt. Ich muss wachen! GRETCHEN Er ist wahrlich zum Ergötzen! Ich muss lachen, Mich an seinen Mienen letzen; Seht den Schwachen, Wie die Eifersucht ihn quält, Kaum, dass er noch an sich hält. O des Schwachen! BACULUS O Spektakel! O Entsetzen! Wie sie lachen, Sich an meiner Angst ergötzen! Solche Sachen Muss erfahren auf der Welt, Der sich mit der Liebe quält. Wie sie lachen! LANDLEUTE Es ist wahrlich zum Ergötzen! Man muss lachen, Sich an seinen Mienen letzen; Seht den Schwachen, Wie die Eifersucht ihn quält, Kaum, dass er noch an sich hält, Man muss lachen! ZWÖLFTER AUFTRITT Die Vorigen. Baronin kommt in ländlicher Kleidung aus dem Hause BARONIN Seht, da bin ich. LANDLEUTE Ei, wer ist das? Eine Freundin Eurem Haus? BARON die Baronin gewahrend Abermals ein reizend Kind! GRAF ebenso Abermals ein reizend Kind! GRETCHEN für sich Allerliebst sieht er doch aus! BACULUS für sich Blieb er lieber doch im Haus! GRAF auf die Baronin zeigend Sieh die Gestalt! BARON Sie ist bezaubernd. GRAF Der frische Teint - BARON Die Rosenlippen - GRAF Der Hals - BARON Das Haar - GRAF, BARON Das Augenpaar - Dieser Adel in den Zügen Strafet Lügen ihren Stand. Mädchen, sprich, bist du vom Land? BARONIN Bin ein schlichtes Kind vom Lande, Mein Palast auf grüner Flur Jene Hütt am Wiesenrande, Meine Amme die Natur. Freue mich inniglich, Wenn die muntern Herden treiben Auf der Berge luft gen Höh n; Auf dem Lande will ich bleiben, Auf dem Lande ist s so schön! Hörte viel vom Glanz der Städte, Wo man lebt in Saus und Braus; Doch die Sittsamkeit, ich wette, Ist nur spärlich dort zu Haus. Ach, davon viele schon Konnten nicht genug beschreiben! Nein, ich mag die Stadt nicht sehn. Auf dem Lande will ich bleiben, Auf dem Lande ist s so schön! GRAF, BARON Solchen Reiz, ohn Übertreiben, Hab ich niemals noch gesehn. GRETCHEN, BACULUS Prächtig weiss er es zu treiben, s ist ne Lust, ihn anzusehn. LANDLEUTE Auf dem Lande ist s so schön! DREIZEHNTER AUFTRITT Die Vorigen. Die Jäger treten aus dem Wirtshause JÄGER Es lässt am Himmel sich Ein Ungewitter blicken; Befehlen der Herr Graf, Dass wir den Wagen schicken? GRAF (Vortrefflich! Geht allein! Ich bleibe!) BARON Du vergisst, es lud die Gräfin Zur Vorlesung uns ein. GRAF Verwünscht! Doch hast du recht. Mir Beifall zu erzielen, Will heute abend ich Mal den Soliden spielen. zu den Landleuten Doch morgen, morgen, zu meinem Wiegenfeste, Lad ich euch alle ein, traktiere euch aufs beste! Seid alle meine Gäste! Bei Gläserklang, bei Tanz und Gesang, Mögt ihr dann ermessen und nimmer vergessen, Wie huldvoll gesinnt stets euer gnäd ger Herr. LANDLEUTE UND JÄGER sich freudig bedankend Doch morgen, morgen zu seinem Wiegenfeste Läd t er uns alle ein, traktieret uns aufs beste! Wir all sind seine Gäste! Bei Gläserklang, bei Tanz und Gesang, Da woll n wir ermessen und nimmer vergessen, Wie huldvoll gesinnt stets unser gnäd ger Herr. GRAF Diese Holde dort zu sehen Und zu sprechen sie allein, Mich im Tanz mit ihr zu drehen, Soll mir eine Wonne sein. Eurer Wohlfahrt nur zu leben, Ist mein Trachten, mein Bestreben, Wird stets meine Sorge sein! BARON Ja, ich muss die Holde sehen Und sie sprechen ganz allein; Weiss nicht, wie mir ist geschehen, Wunderbar nimmt sie mich ein. Möglich, dass dies Mädchen eben Krönet meiner Wünsche Streben Und mir dann versüsst des herben Lebens Pein! BARONIN Diesen Herrn, ich muss gestehen, Flösste schnell ich Neigung ein; So bewundert mich zu sehen, Darf mir schmeichelhaft nur sein. Gar zu klar ist ihr Bestreben, Ihre Liebe mir zu weihn! GRETCHEN Dürft ich nur mit ihnen gehen, Auch mich dem Vergnügen weihn, Mich im Tanz mit ihnen drehen! Leider wird es anders sein. Während sie der Lust ergeben, Soll ich still und einsam leben Und darf mich nicht mit andern freun. BACULUS zu Gretchen Gib nur acht, du wirst es sehen Mit der List, so schlau und fein, Wird es ganz vortrefflich gehen, Und der Herr wird mir verzeihn. Du wirst mir dein Händchen geben, Uns winkt dann ein Götterleben, Und bald ist versüsst uns die erlittne Pein! LANDLEUTE UND JÄGER Lasst uns froh das Fest begehen Und uns ganz der Freude weihn; Alle will er uns dort sehen, Alle finden wir uns ein. Lasst dann beim Saft der Reben Hoch, ja hoch den Herren leben Und uns seiner Gnade freun! Baculus führt Gretchen, die sich sträubt, ins Haus GRAF zur Baronin Du wirst, mein schönes Kind, Doch auch beim Fest erscheinen? BARONIN Wenn es der Herr vergönnt - GRAF Ei ja, das will ich meinen. Sich nach Gretchen umsehend. Wo ist die andre Kleine, Das hübsche Mädchen, sprecht? Auch sie darf mir nicht fehlen. BACULUS für sich Du kämst mir grade recht! GRAF dreht sich und sieht Baculus Irr ich mich nicht, so ist dies Gesicht Des Schulmeisters, der auch Rehböcke schiesst. BACULUS Gnade, Herr Graf! GRAF Hinweg mit Ihm! BACULUS Es tut mir leid - GRAF Hinweg mit Ihm! Er kennt den Bescheid. LANDLEUTE Ei, warum zürnt der gnäd ge Herr? BARONIN leise zu Baculus Stell Er mich dem Grafen vor. BACULUS Er sieht doch wohl, dass es nicht geht, Wenn meine Braut daneben steht. GRAF Ihr Freunde, denn auf Wiedersehen Bei Tanz, Gesang und Spiel; Der Morgen bringet Freud und Lust, Vom Morgen hoff ich viel! GRAF, BARON, BARONIN, BACULUS mit Bezug Vom Morgen hoff ich viel! GRAF Diese Holde dort zu sehen usw. BARON Ja, ich muss die Holde sehen usw. BARONIN Diesen Herrn, ich muss gestehen, usw. GRETCHEN am Fenster Dürft ich nur mit ihnen gehen usw. BACULUS Gib nur acht, du wirst es sehen, usw. LANDLEUTE UND JÄGER Lasst uns froh das Fest begehen usw. Lortzing,Albert/Der Wildschütz/II-1
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Uganda Prim Social Stud Ppls Bk5 Macmillan Education Ltd?　 MacmillanEducationLtd?　ジャンル別?　Substores-UnknownASINs-8 The Gtu Primary Maths Bank Resource Ringbinder (GTU Primary Maths Bank) Nelson Thornes Ltd?　Alastair Pollitt?　Lillian Munro?　 NelsonThornesLtd?　AlastairPollitt?　LillianMunro?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Children sBooks-Science,Nature&HowItWorks-Math?　Subjects-Science-Mathematics? The Gtu Primary Maths Banks Nelson Thornes Ltd?　Alistair Pollitt?　Lillian Munro?　 NelsonThornesLtd?　AlistairPollitt?　LillianMunro?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Children sBooks-Science,Nature&HowItWorks-Math?　Subjects-Science-Mathematics? Workshops for Schools (Inset Workshops for Schools) Nelson Thornes Ltd?　Jon Nixon?　Mike Watts?　 NelsonThornesLtd?　JonNixon?　MikeWatts?　ジャンル別?　Substores-UnknownASINs-8　Subjects-Health,Mind&Body-Sex?　Subjects-Nonfiction-Education-ElementarySchool?　Subjects-Professional&Technical-Education-ByLevel-ElementarySchool? 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Introduction to Environmental Engineering and Science Pearson US Imports & PHIPEs?　Gilbert M. 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